Concentration：
Art History, Art Critic, Cinema Studies and Theories, Philosophy
CV:
2012-2018 NFLS
2018-2019 Rice University
2019-至今 University of Pennsylvania
Base: Philadelphia. Shanghai.
-短期内陷入对某一人/事的热恋并在数日后将其收进大脑的无意识
-作为一个抽象概念的集合去指引无力的行为
-尝试用自身的复杂性去对抗世界的不确定性
-用精神的变态以辩护无意的作恶
-在任何事物的两极间蛙泳
Pronoun is nothing but empty.
Signature
Selected Work：
Fall 2018
1. “Flawed Mirror: Individualized Pictorial Expression of wealth and power in Luttrell Psalter” “残镜：路特尔圣诗集中财富与权力的特性图像表达”
2. “Flower and Fire, Life and Death: Symbolism in Kitano Takeshi’s “Fireworks”” “花与火，生与死：北野武《花火》的符号表达”
Spring 2019
1. “Engineer or Artist: Carlo Maderno and His Two Facades” “工程师还是艺术家：卡洛马代尔诺与其建筑立面”
2. “Interweave Static and Dynamic: An Analysis of Buddhism and Daoism Visualization Images” “动静编织：佛教与道教观想图像的比对分析”
3. “No Bushido, No Beatnik, but Pragmatism: Kurosawa’s Advice for the Post-war Japan in Ikiru” “武士道与披头族之后的实用主义：黑泽明《生之欲》对日本战后社会的三点建议”
Fall 2019
1. “Aggregation of Disjunction and Reproduction: The Influences on the Modernism Paintings from the Contemporary Visual Culture” “分裂的集合与复制：近代视觉理论对现代主义绘画的影像”
2. “From the Qualities to the Equalities: The Impressionists’ New Methods to Restore the World” “从图像性质到平等概念：印象派“还原世界”的新方法”
3. “An Enticed Glance into the Mythical and Concealed Space: the Secular Sensual Desires in Hendrick Goltzius” “向神秘与隐蔽空间的诱惑一瞥：亨德里克·霍尔奇尼斯的世俗欲望”